Here's a peek at the early stages of my opaque painting process. While these colors are still fairly transparent, they're thicker and more purposeful than what I did in the under painting.
I prefer to determine my darkest areas in a painting early on, so that's where I tend to start my attack. Once I'd gotten the base bright pink color placed in the sky, I started darkening up the stone archway around our evil siren.
While the arch will be pretty dark both above and below the water, I still want to maintain a difference in warmth and coolness between each side of the surface. To do this, I've used a dark brown for the stone above the water (warm) and a dark blue for the stone below it (cool).
Lastly for today, I've begun laying in the darkest parts of the hidden sea beastie. Along with the gaping maw of his hungry mouth and his eerie pupils, I've also started to darken the linework on him. I'll do this throughout the piece, in a manner that's similar to inking with a brush. This process helps me keep my drawing strong, while I build up layers of paint.
From here on out, I really just have to dive in and paint like a fiend. A lot of thought and consideration goes into taking the piece from this to its completion. But with the right music and mood, those conscious thoughts will fall into the background. When I'm really on a roll, I'll detach myself from the process... almost like I'm watching myself paint. And that's the Jedi trance action I'm aiming for.
That's all for this week! Tune in on Monday for more Alphabet Attack!
"What I do? I called up the Geto Boys crew, 'cause my mind's playing tricks on me too!"
- Dave
No comments:
Post a Comment